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Produced by Bob Ezrin and featuring an array of ace musicians, Berlin is an emotionally harrowing and sonically eclectic journey into the many of the worst tendencies of the human condition.\u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes, housed in a Stoughton jacket, pressed at Fidelity Record Pressing, and featuring a faithful reproduction of the original full-size eight-page booklet insert, Mobile Fidelity’s numbered-edition 180g LP of Berlin presents the landmark recording in audiophile quality for the first time. The scope, balance, and reach of Ezrin’s explosive production comes to the fore. As does the ample spaciousness and separation that help give the songs breathing room even when the music builds to an orchestral pitch.\u003c\/p\u003e\n\u003cp\u003eReed’s distinctive voice — central to every track — sounds direct, immediate, centered. The realism and clarity of his tone make it appear as if he’s entered the room. You can trace his breath control, reserved coolness, and commanding phrasing. And sense the implied violence, delusion, and sorrow in the questions and statements he issues in the persona of the protagonist Jim — as well as the empathy, fatigue, confusion, and frustration he projects in his guise as Caroline.\u003c\/p\u003e\n\u003cp\u003eMobile Fidelity’s reissue also puts into a new, improved light the brilliant contributions of the standout session players. Steve Winwood (Hammond organ), Michael Brecker (tenor saxophone), Randy Brecker (trumpet), and Procol Harum drummer B.J. Wilson play key roles. The core band assisting Reed and Ezrin on a majority of Berlin — Alice Cooper guitarists Dick Wagner and Steve Hunter, drum maven Aynsley Dunbar, Cream bassist Jack Bruce — turn in a collective performance for the ages. None more so than Bruce, whose bass lines resonate on this LP with a roundedness, fatness, tautness, and control that give songs added depth and foundation. 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NUMBERED\/LIMITED.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLABEL\u003c\/span\u003e: \u003cmeta charset=\"utf-8\"\u003eMOBILE FIDELITY SOUND LAB | \u003cspan style=\"text-decoration: underline;\"\u003eCAT\u003c\/span\u003e# \u003cmeta charset=\"utf-8\"\u003eMFSL 1-395\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCONDITION\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e: VINYL: MINT- | COVER: \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMINT-\u003c\/span\u003e\u003c\/p\u003e","brand":"WEEZER","offers":[{"title":"Default Title","offer_id":47952760897780,"sku":"BACK ROOM JULY 2026","price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/66FC62FA-B0B9-417C-B488-FE68AEBA225E.jpg?v=1775458748"},{"product_id":"ryan-adams-love-is-hell-mfsl-3lp-used-vinyl-2014-us-m-m","title":"RYAN ADAMS - LOVE IS HELL (MFSL) (3LP) (USED VINYL 2014 US M-\/M-)","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2014 US 3LP BOX SET. MOBILE FIDELITY PRESSING w\/ 20 PAGE BOOKLET. REMASTERED. NUMBERED\/LIMITED EDITION\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLABEL:\u003c\/span\u003e MOBILE FIDELITY SOUND LAB | \u003cspan style=\"text-decoration: underline;\"\u003eCAT#\u003c\/span\u003e MOFI 3-040\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCONDITION:\u003c\/span\u003e RECORDS: MINT- | COVER: MINT-\u003c\/span\u003e\u003c\/p\u003e","brand":"RYAN ADAMS","offers":[{"title":"Default Title","offer_id":47960600576244,"sku":"BACK ROOM APRIL 2026","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/FullSizeRender_1f2e6807-718a-47a1-8fce-2a69e04e763e.heic?v=1775545893"},{"product_id":"keb-mo-keb-mo-mfsl-180gm-used-vinyl-2011-us-m-m","title":"KEB' MO' - KEB' MO' (MFSL) (180GM) (USED VINYL 2011 US M-\/M-)","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2011 US LP. MOBILE FIDELITY PRESSING. UN-NUMBERED PROMO. 180GM VINYL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLABEL:\u003c\/span\u003e MOBILE FIDELITY SOULD LAB | \u003cspan style=\"text-decoration: underline;\"\u003eCAT#\u003c\/span\u003e MFSL 1-357\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCONDITION:\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e RECORD: MINT- | COVER: MINT-\u003c\/span\u003e\u003c\/p\u003e","brand":"KEB' MO'","offers":[{"title":"Default Title","offer_id":48039239811316,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/356FBD12-634D-4099-834D-EA12B34EB9FD.jpg?v=1777007384"},{"product_id":"hank-crawford-the-marty-piach-orchestra-soul-of-the-ballad-200gm-mfsl-used-vinyl-1995-us-m-m","title":"HANK CRAWFORD \u0026 THE MARTY PIACH ORCHESTRA - SOUL OF THE BALLAD (200GM) (MFSL) (USED VINYL 1995 US M-\/M-)","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1995 US GATEFOLD LP. MOBILE FIDELITY SOUND LAB. NUMBERED\/LIMITED. 200GM VINYL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLABEL:\u003c\/span\u003e MOBILE FIDELITY SOUND LAB | \u003cspan style=\"text-decoration: underline;\"\u003eCAT#\u003c\/span\u003e MFSL 1-224\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCONDITION:\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e RECORD: MINT- | COVER: MINT-\u003c\/span\u003e\u003c\/p\u003e","brand":"HANK CRAWFORD","offers":[{"title":"Default Title","offer_id":48040065958132,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/B3BF9563-325E-48CC-841D-25B8C4B84ED1.jpg?v=1777006656"},{"product_id":"kinks-misfits-mfsl-used-vinyl-1981-us-m-ex","title":"KINKS - MISFITS (MFSL) (USED VINYL 1981 US M-\/EX-)","description":"\u003cp\u003e1981 US LP. MOBILE FIDELITY SOUND LAB. REMASTERED.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eLABEL:\u003c\/span\u003e MFSL \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e| \u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCAT#\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e MFSL-1-070\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eCONDITION:\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e RECORD: MINT- | COVER: EX-\u003c\/span\u003e\u003c\/p\u003e","brand":"KINKS","offers":[{"title":"Default Title","offer_id":48354122924276,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/47926335-5EDA-4559-B786-884580599735.jpg?v=1779950846"},{"product_id":"joni-mitchell-ladies-of-the-canyon-2lp-180gm-mofi-ultradisc-vinyl","title":"JONI MITCHELL - LADIES OF THE CANYON (ULTRADISC ONE STEP) (2LP 180GM 45RPM) VINYL","description":"\u003cp\u003e\u003cstrong\u003eLadies of the Canyon Marks the Beginning of Joni Mitchell's Creative Metamorphosis: Includes \"Big Yellow Taxi,\" \"Woodstock,\" and \"The Circle Game\"\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressed on MoFi SuperVinyl and Limited to 5,000 Numbered Copies: Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP Set Presents 1970 Album in Unparalleled Sound, Features New Liner Notes 1\/4” \/ 15 IPS \/ Dolby A analog master to DSD 256 to analog console to lathe.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLadies of the Canyon can be viewed as Joni Mitchell's coming-out party. Having recently moved to Lookout Mountain in Los Angeles' Laurel Canyon area — her house is depicted in a watercolor painting she made for the record's cover — the Canadian icon turned to her immediate surroundings for inspiration the while taking the pulse of national affairs, corporate enterprise, celebrity, and her relationship with Graham Nash. The 1970 album finds the singer-songwriter morphing into the groundbreaker who would shed folk music's constructs and wade into pop, jazz, soul, and poetry with a combination of depth, sophistication, self-examination, and acumen no one had ever heard.\u003c\/p\u003e\n\u003cp\u003eSourced from the original analog master tapes, pressed on MoFi SuperVinyl at Fidelity Record Pressing on MoFi SuperVinyl, featuring new liner notes, and strictly limited to 5,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set delivers Ladies of the Canyon with bracing intimacy, detail, balance, and depth. Marking the first time the LP has received audiophile treatment, it's one of six iconic Mitchell records Mobile Fidelity is reissuing on definitive-sounding vinyl and SACD sets.\u003c\/p\u003e\n\u003cp\u003ePlaying with organic warmth, superb clarity, and ample spaciousness, this collectible UD1S edition benefits from the inherent properties of SuperVinyl — a virtually nonexistent noise floor, reference-caliber groove definition, and ultra-silent surfaces among them. Primarily recorded solo, with spare accompaniment on select tracks, Mitchell practically takes up residence in your listening room. Her voice, piano, and guitar image with spot-on precision and three-dimensionality; the music is focused, emotional, natural. Auxiliary instrumentation — cello, clarinet, baritone saxophone, Milt Holland's deft percussion — is seamless, cohesive, steady. Notes bloom and decay as they do on a live stage; relatedly, the soundstage extends far and wide, with carbon-black backgrounds adding to the uncanny realism.\u003c\/p\u003e\n\u003cp\u003eThe deluxe packaging of the Ladies of the Canyon UD1S set complements its distinguished status. Housed in a deluxe slipcase, both LPs come in special foil-stamped jackets with faithful-to-the-original graphics that illuminate the splendor of the recording. This UD1S reissue is made for listeners who prize sound quality and production, and who desire to engage themselves in everything involved with the album, including Michell's illustrative painting that serves as the cover art.\u003c\/p\u003e\n\u003cp\u003eDeemed \"powerful and brilliant\" upon release by The New York Times, Ladies of the Canyon followed Mitchell's first Grammy-winning effort (Clouds) and marked the first of six consecutive masterworks she made en route to becoming the most celebrated singer-songwriter of both her generation, and, arguably, all time. It's the first record on which the then-26-year-old featured the piano, a creative decision of immeasurable significance; first to attain platinum status, which transformed Mitchell into more than a folk figure; first to see her taking more chances with her singing; and the last on which she comes across upbeat, largely unencumbered by the complex themes and personal ache that would occupy her for the foreseeable future.\u003c\/p\u003e\n\u003cp\u003eMitchell radiates confidence and courage, producing Ladies of the Canyon herself after realizing she didn't need the services of an outsider when she already knew what she wanted. She just required a competent and collaborative engineer, who she landed in Henry Lewy. Fittingly, on the record's affectionate title track, she celebrates community and a trio of women — all real, all from her Laurel Canyon neighborhood — who, individually, as a visual artist, free-spirited mother, and circus-raised imagineer, respectively, were all reflected in Mitchell herself. Akin to Trina, Annie, and Estrella, Mitchell also had an affinity for wearing beautiful clothes, hosting friends, baking sweets, and weaving \"a pattern all her own.\"\u003c\/p\u003e\n\u003cp\u003eThat pattern most famously materializes on the album's closing trio of songs — their unconventional placement on the record likely another sly acknowledgement of Mitchell's disdain for commercialism, or at the very least, catering to its demands — each, then and now, a classic. Within months of releasing Ladies of the Canyon Mitchell would find herself at the center of the singer-songwriter movement — and preparing songs for another album whose impact is still felt today.\u003c\/p\u003e\n\u003cp\u003ePlease note: To help ensure optimal packaging quality, this title will be shipped with the vinyl LPs outside of the jackets. This was done during the hand-packaging process. Every box set is sealed.\u003cbr\u003eMore About Mobile Fidelity UltraDisc One-Step and Why It Is Superior\u003c\/p\u003e\n\u003cp\u003eMobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called \"converts\") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.\u003cbr\u003e\u003c\/p\u003e","brand":"JONI MITCHELL","offers":[{"title":"Default Title","offer_id":48368703996148,"sku":"BACK ROOM JUNE 2026","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/c2caddext__51996.1729107972.jpg?v=1780363541"},{"product_id":"deee-lite-world-clique-original-master-recording-pressing-vinyl-copy","title":"DEEE-LITE - WORLD CLIQUE (2LP) (180GM) (MFSL) VINYL","description":"\u003cp\u003eHear the 1990 Club Favorite in Audiophile Sound for the First Time: Strictly Limited to 2,000 Numbered Copies, Mobile Fidelity’s 180g 45RPM 2LP Set Abounds with Tones, Colors, Definition, and Spatial Details \u003cbr\u003e1\/2” \/ 30 IPS analog master to DSD 256 to analog console to lathe\u003c\/p\u003e\n\u003cp\u003eDig! A rare club album that crossed over into the mainstream and became an international success, World Clique seemingly came from out of the blue from a band whose whimsical, quasi-psychedelic name — Deee-Lite — hints at the sheer fun, quirky personality, and humorous flair within its diverse borders. Renowned for the smash “Groove Is in the Heart,” ranked #233 on Rolling Stone’s list of the 500 Greatest Songs of All Time and No. 2 on Billboard’s 100 Best Dance Songs of All Time, the 1990 record is a good-time dive into funk, house, disco, and pop waters that never fails to put a smile on listeners’ faces or a spring in their step. \u003c\/p\u003e\n\u003cp\u003eSourced from the original master tapes, pressed at Fidelity Record Pressing, strictly limited to 2,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set presents World Clique in audiophile quality for the first time. One of the most important aspects of the effort — rhythmic grooves, natch — tremendously benefits from the fact the 48-minute album gets spread across four vinyl sides. The upgrade allows for a boost in groove velocity and near eradication of inner-groove distortion all the while enhancing high- and low-frequency reproduction. Unless you’ve got out-of-print 12-inch singles from this Billboard Top 20 set, you’ve never even come close to hearing how good it sounds. \u003c\/p\u003e\n\u003cp\u003eConstructed via a hybrid of instrumentation, singing, and samples, World Clique unfurls with a rainbow of colors, tones, details, and effects. This collectible reissue zeros in on the separation and spatial location crucial to the tracks, with clever touches such as supplementary echoes to panned vocals and hand claps in defined positions amid broad, deep soundstages. The clarity of everything from Lady Miss Kier’s breathy vocals and the group’s effortless hooks to the statement-making horns from James Brown band legends Maceo Parker and Fred Wesley brings Deee-Lite’s joyous delirium to life in multi-dimensional fashion. \u003c\/p\u003e","brand":"DEEE-LITE","offers":[{"title":"Default Title","offer_id":48779401363700,"sku":null,"price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0395\/2040\/3623\/files\/IMG-8660.jpg?v=1782476453"},{"product_id":"oregon-distant-hills-mfsl-used-vinyl-1981-us-m-m","title":"OREGON - DISTANT HILLS (MFSL) (USED VINYL 1981 US M-\/M-)","description":"\u003cp\u003e1981 US LP. 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